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  Ever since John Grisham released The Firm back in 1992 and single-handedly popularized legal fiction, dozens of wannabe legal fiction best-selling authors began to pen potential blockbusters. Unfortunately, none of them met with much success. Now, esteemed Yale Law School professor Stephen L. Carter has decided to try his hand at this genre but with a twist. His debut novel, The Emperor of Ocean Park, concerns the upper elite of African Americans in the legal profession, a subject most Pakistanis know as much about as perhaps the history of Russian aristocracy.

A leading African American public figure, Carter studied law at Yale University before clerking for Supreme Court Justice Thurgood Marshall. He has previously written critically acclaimed nonfiction books on subjects including affirmative action, the judicial confirmation process, and the place of religion in our legal and political cultures. The Emperor of Ocean Park is his first work of fiction.

The Emperor of Ocean Park is essentially a game of chess between the blacks and the whites of the upper crust of American society. Just like the Cosby Show in the eighties was a look at the daily lives of wealthy African Americans, this novel is a snapshot into the legal profession from the point of view of African American protagonist Talcott "Misha" Garland, the son of Judge Oliver Garland, who was once nominated for a Supreme Court seat. The hero is married to ambitious, snooty legal eagle Kimberly "Kimmer" Madison who makes three times the salary he does as a law professor. Despite the pseudo coziness of his tenured Ivy League career, his glamorous wife and infant son, he struggles to maintain the facade of a happy and dutiful husband, while fully aware of her affairs and waning interest in their marriage. Soon, however, he and we learn that he has much more to worry about than the state of his marriage.When his father, the judge, is found dead in his study, Garland finds himself probed for the mystifying "arrangements" his father left in his care. FBI men straight out of X-Files come calling in search of sensitive client documents. A preacher friend gets brutally murdered, and then their family house in Martha's Vineyard is vandalized. Perplexed and confused, Garland tries to unravel the past of his powerful father and finds out more than he originally bargained for. Garland's rich sister Mariah who's married to a white, corporate magnate believes their father was murdered for the volatile secrets he held, while their elder brother Addison only wants to be left out of the investigation. At this point, the story turns into a mystery novel and the overly long trail leads naturally to the upper echelons of the US establishment.

Simultaneously, it leads in another direction, as well, through the lives of a fascinating and by and large unexplored aspect of American society. The isolation of the political process and the collapse of the fragile house of cards that is the modern racial solidarity (achieved through "fancy college degrees and fancier money for the few") are explored throughout the novel.

As a writer, Carter is at times wordy and lacks Grisham's deft hand at relating a story. At his best moments he exhibits a Scott Turow-like ability to write absorbingly about emotion and family ties, but at his worst moments, he is simply churning out pages after pages of filler, possibly in hopes of being chosen for the Oprah Book Club. His idea of connecting his story to a game of chess is inspired, however. In particular, when he relates the Judge's views on chess, it is quite eerily accurate to the state of race relations in America throughout much of its history: "...white moved first, white usually won, black could only react to what white did, and even if black played a perfect game he still had to wait for white to make a mistake before he would have any hope of winning..."

Carter's novel essentially disputes the long-standing notion that African Americans born to wealth and privilege have it easy in life. He deftly demonstrates that affluent blacks still have to contend with racism, temptation, jealousy, defeat and universal problems such as adultery and overdue bills. Pity he didn't do it in half the length.

                                                                                            

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