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Ali M. Ansari, a British academic scholar of Iranian origin, has written a very engaging book to capture the perplexing times in Iran during the 20th century, what he calls A History of Modern Iran Since 1921: The Pahlavis and After. Iran, renamed from Persia, by the first Pahlavi (Shah) Reza Khan in 1935 has remained an enigmatic country. There have been revolutionary changes, but continuity of the old mores in imperial past formulates the genre of Iranian society.

There are nine chapters, including the introduction and conclusion. Key chapters, "Reza Khan and the establishment of the Pahlavi State", and "The White Revolution" give the background to the rise and fall of the only two members of the self-created Pahlavi dynasty - father and son - between 1921 and 1979. After Khomeini's revolution, and the US induced war with Iraq, the new generation was rejuventated for upholding sovereign terms of existence.

In the introduction, Ansari lays out his analytical framework: "This is fundamentally a book about change and the politics of managing that change, as successive governments and political elites sought, and continues to seek. To navigate a stable and sustainable route from a perception of tradition to a particular conception of modernity."

Iran has to be analyzed structurally with an imperial past and continually updating vibrant cultural mores. Tradition and modernity have distinct historical growth in which four segments played a pivotal role: aristocracy, ulema, intelligentsia/ intellectuals and bazaaris, interlinked with one another.

The role of the ulema in Iranian history has been described as a catalyst of change, rather than any permanency of fundamentalism. The Safavid Dynasty (1502-1737) utilized them as the tool of their newly established religious legitimacy. The Qajars (1796-1925) institutionalized them, for the convenience of revenue generating seminaries. In the constitutional crisis of 1906, the clergy played a progressive role in neutralizing the royal power, and combating direct foreign intervention. In opposing the Shah's regime, clergy was supported by all progressive forces during 1960s and 70s.

The author questions Hegelian's idea that the 'East' is unhistorical, where change does not occur. He points out with concurrent turmoil in the Middle East, "whether history had stood still or not in the East, the West seemed determined to bring it to a standstill."

In 1925, after installing with intrigues, a soldier of Cossack Brigade as the Shah, founder of implanted royalty, the British called him "Iranian noble savage". But, he had his own agenda, partly influenced by Ataturk who had established a new Republic in neighbouring Turkey. Ansari postulates that Reza Khan was the quintessential modernizer, with eccentric ideas. This alarmed his mentors, replacing him by his son.

Mohammed Reza Shah (1941-79) created his own fancy modernization under the hegemony of the United States. He alienated all segments of the society. His fantasyland was inhabited by a few courtiers in the dreams of a 'Shah's magic kingdom'.

He was called, 'Shahenshah' the king of kings and crowned himself with fanfare witnessed by the West, in awe and amusement. His nationalism was based on the politics of perpetuating dynastic control. The Iranians were not impressed by the so-called modernization agenda, in which development projects were confined to the needs of 'royal' whims.

The aristocracy, the ulema, and the bazaaris had profound roots in society, and with each other, in kinship associations, as well as commercial and social relations. The Shah had become immune to all this, and stood alone with his peculiar design for an ancient empire, now built on a 'sandy oil castle'.

Ansari postulates that Mohammed Reza Shah was a curious amalgam of 'modernizer' and traditional patrimonial monarch. He saw himself as the living embodiment of an Iranian tradition of enlightenment; quasi-divine monarchy going back to Cyrus the Great. The White Revolution was launched in 1961 with an autocratic style, that the Shah alone knew best. When he found no takers for his Revolution, a guided 1963 referendum produced 99% endorsement from those who cared to vote. The US President Kennedy sent congratulations for the farce.

Westernization with American style consumer oriented industrialization and foreign fashions were unacceptable by the nationalist elements: ulema and baazaris, became the catalyst for Khomeni's call for change.

The 1979 revolution became enigmatic with Islamic symbols but ushered renaissance for Iranian cultural nationalism. The very concept of Velayat-i-fiqih, incorporated in the constitution, turned into democratic debates by intellectuals and younger generation, especially women who asserted their rights with intellectual rigour.

The author uses an interesting term "weapons of the weak" to underscore the Iranian way of dealing with strong adversary military powers.

Actually aware of their own military weakness, but driven by ambitions of imperial stature inherited from an earlier age, Iranian statesmen have substituted diplomacy for military power and have shown a diplomatic sophistication which often confounded both partners and opponents."

This diplomatic weapon has remained a testimony to the fine cruising during Afghan-Soviet-American entanglements in the 1980s and Middle East turmoil of 1990s. In recent years, with refined diplomacy, President Khatami has called for "dialogue of civilizations" among nations and within his own country.

It should be pointed out that the political structure of Iran remains complex because it represents an intricate tapestry of social and political classes in the process of dynamic change, reflecting the conflicting tendencies inherent in the transformation of traditional structures into 'modern' ones. Its very fluidity means that any analysis that does not take into account this dynamism is limited to being a mere snapshot, a one-dimensional model in the process of continuous formation. This is the dilemma of foreign observers, who don't understand theoretical or practical implications of Iranian complexity. Karl Mannheim had aptly observed:

"In a realm in which everything is in the process of becoming, the only adequate synthesis would be a dynamic one, which is reformulated from time to time."

This is where the US imperial policy makers have to understand that Iran has its own dynamic complexity. Nikki Keddie, a modern day American scholar pleads that her countrymen should have sense of history, in order to have peaceful co-existence with Iran. Empires have fought battles in that region, but people have remained sovereign in their psychology and updating cultural consciousness.

Finally, the book has a crucial message. Iran has gone through a variety of crisis, with foreign intrigues and occupation, but far from history being written by the victors, it was overwhelmingly the victims who determined its direction.

                                                                                            

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